Darwin’s Evolution: From ‘Starfishing’ To ‘Dance Alone’
On the contrast between his new, more topical material, and his earlier more romantic albums, Darwin says: “On the old…
Stacey Q: The Synthbeat.com Interview
Our paths took us to different places, and we lost touch. Since 1983, Stacey, as Stacey Q, has had top…
Berlin’s David Diamond Shares Inside Info On ‘Transcendance’ And The State Of Electronic Music
As it turns out, the classic Berlin sound would appear in a highly modified EDM influenced sound, for the band’s…
SSQ’s “Jet Town Je T’Aime” –The First Synthpop Classic of The 2020s
And while SSQ’s 1983 album was created largely in an effort to gain fame and fortune, "Jet Town Je'Taime finds…
Exploring A Different Side Of Grief With Renee-Louise Carafice’s “Goners”
Listening to the new album, Goners, by Renee-Louise Carafice, I’m suddenly struck by the uniqueness of it. I’m talking about…
News From Belgium: Gilles Snowcat Talks About Upcoming New Album, Plus Brand New Remaster of “This Mouth”
It’s clear that Gilles Snowcat likes to do things his way, even when it comes to something as technical as…
Spectacular Debut Album From European Progressive Pop Band “Lunear”
By Keith Walsh When I first encountered the globetrotting creative powerhouse Gilles Snowcat and his merry band of cohorts in…
Made In England: Fashion Entrepreneur Tom Cridland Invests In Rock And Roll’s Future
By Keith Walsh British fashion impresario Tom Cridland is somewhat apologetic about the prospect of annoying Donald Trump supporters. Nevertheless,…
Sienná’s Q.o.S. : Powerful, Exotic World Beat Psychedelia
By Keith Walsh There’s something very exciting happening in new music from Oslo, Norway. Sienná, the singer/songwriter/instrumentalist/studio whiz and now…
The Analog Girl’s Sweet, Elegant “Golden Sugar Crystals”
By Keith Walsh The Analog Girl returns after a five year silence with her most elegant set of songs yet.…