The Return Of Slovenia’s Electro-Rock Group Karmakoma
As much as I’ve enjoyed these variations in style, I’m very excited to hear that Karmakoma is set to return…
‘When Hardware Had Soul’: A Pre-Midi Approach To Creating Synthpop (With Gab Of Beat Ratio, Part 2)
By Keith Walsh In my previous article with Gab of Beat Ratio, he told me about the creation of his…
Beat Ratio’s Wistful Tribute To Italy, Created With Vintage Synths
By Keith WalshCurating Synthbeat.com gives me the joy of discovering electronic music from around the world and meeting its creators.…
Visiting Mythical Geography With Gilles Snowcat’s Hypnotic ‘Nugu Point’
By Keith Walsh I can always count on the music of Gilles Snowcat to take me to new places. In…
2020 Was A Surprisingly Musical Year: Welcoming 2021 With A Spotify Playlist
By Keith Walsh 2021 is a blank slate, and despite a rocky start and the presence of the pandemic, we…
A Tale Of Liberation: How Gary Numan’s Moog Keytar Changed Hands In The 80s
By Keith Walsh Thought to be the first widely available synthesizer Keytar, the Moog Liberation arrived on the scene in…
A Peek Inside The Magical, Mystical ‘We See Limes Studio’ In Belgium Reveals Exclusive Secrets Of Gilles Snowcat
By Keith Walsh Born on Mardi Gras Day, in some not too distant time, singer/songwriter Gilles Snowcat is a mysterious,…
‘Unboxing’ The Party The World Needs, With Gilles Snowcat
From the first few seconds of “You’ve Been Unboxing Gilles Snowcat,” there’s a clear connection to the party songs of…
Gilles Snowcat Takes A Playful, Romantic Turn With ‘Tiffany’
By Keith Walsh Despite the troubled state of the world, there’s never any reason sufficient to stop us from having…
Hot Summer Tunes On The New Synthbeat Playlist
When I was compiling this list with two or three songs from each of the artists featured on Synthbeat.com over…